by Matthew Friedman | Jul 10, 2024 | Arts, Dossier, Essays
At the end Viktor Ullmann’s The Emperor of Atlantis, Kaiser Uberall accepts his fate: he will be sacrificed to restore the balance of life and death that his own arrogance and brutality so tragically upset. It is one of the most powerful moments in 20th century...
by Matthew Friedman | Jan 27, 2023 | Arts, Essays
At the end Viktor Ullmann’s The Emperor of Atlantis, Kaiser Uberall accepts his fate: he will be sacrificed to restore the balance of life and death that his own arrogance and brutality so tragically upset. It is one of the most powerful moments in 20th century...
by Matthew Friedman | Jan 11, 2023 | Arts, Essays
I remember the night that my father came home from work with a copy of the Academy of Saint Martin in the Fields’ recording of Bach’s The Art of Fugue. It was a double-LP boxed-set (recorded music came on black vinyl discs in those days) with extensive...
by Matthew Friedman | Mar 1, 2020 | Arts, Essays, History
The opening scene of Hunters, the new series from Amazon Prime starring Al Pacino and Logan Lerman as members of an intrepid band of American Nazi hunters, tells you everything that you need to know about the show: The American Undersecretary of State Biff Simpson...
by Matthew Friedman | Dec 31, 2019 | Arts, Essays
I had come to a multiplex in the Boston suburbs on Christmas morning expecting to enjoy a movie alone, or at very least in the company of only a handful of non-Christian refugees from the barrage of Yuletide cheer. I was wrong; the screening room was packed with...
