by Matthew Friedman | Jul 10, 2024 | Commentary, Politics
There’s a scene about halfway through the 1972 film musical Cabaret that never fails to give me chills. The film’s hero Brian Roberts (Michael York) and his lover Max von Heune (Helmut Griem) are enjoying a glass of lager at a biergarten in the German countryside in...
by Matthew Friedman | Jul 10, 2024 | Commentary, Essays
It stopped me dead in my tracks as I was walking down Newark Ave. in Jersey City one morning in the winter of 2016, on my way to the Grove Street Path station: Someone had painted a large black swastika, surrounded by repeated instances of the doppelte Siegrune icon...
by Matthew Friedman | Jul 10, 2024 | Books, Essays
The Original Bambi: The Story of a Life in the Forest Felix Salten, translated by Jack Zipes, with illustrations by Alenka Sottler Princeton University Press “Two leaves fell from the great oak tree at the edge of the meadow.” Thus begins the eighth chapter of Felix...
by Matthew Friedman | Jul 10, 2024 | Commentary, Editorial
I had no idea when I woke up this morning that I was going to spend most of my day trying to contact an unresponsive multi-billion-dollar media corporation and trying to save The Typescript from the predations of late-capitalist corporate colonialism. I thought I...
